![]() Without the column seen on modern harps, they could not support much string tension.īetween 700-1000 AD, frame harps appeared in western Europe, which had between 10 and 11 strings. Back then, the instrument was shaped like a bow and had very few strings. The earliest evidence of the harp is found in Ancient Egypt around 2500 BC. It is the oldest known instrument, having existed in one form or another, in every land and every age.” – Lyon & Healy Counter Sales Book, 1925 “The harp occupies a position unique in the history of music. It is more powerful and richer in tone, thanks to its pedalling system which allows the player to continually change the tuning while playing. The modern concert pedal harp is very different to the stringed instrument used to accompany Irish folk music, or the first versions of it found in 2500 BC. It hasn’t always had a place in orchestral music, but since the 19th century composers like Ravel and Debussy have been in love with the instrument and its unique, resonant sound. The Harpmaster is available both in tweed and in several tolex covers.The concert harp is famous for its heavenly image. For customers that prefer the 4×10 setup also the Harpmaster with 4 WEBER 10” Alnicos (2x 10A125, 2x 10A125O) is offered. To handle the increased low end no less than six special design 8″ Marble Bluetone speakers are used in a Roadking sized pine cabinet. To meet todays demands of playing, the power and low-end of the Harpmaster are significantly increased compared to the Roadking. The harpmaster combines excellent tonal response and low microphonic feedback even at higher volumes. ![]() The Clipper control is added to the driver stage to shift the symmetry of this stage to create an out of phase effect that adds drive and at the same time reduces feedback. At the outputstage the Anti Feedback Control helps phasing out any feedback that would be experienced at higher volumes. The presence control offers an extra “bassman59” dimension, boosting the uppermid and higher frequencies while generating more drive. The mastervolume controls the amount of signal that passes to the ouputstage. The equalisation stage operates like in a tweed bassman with the conventional treble, middle and bass controls. On the first gainstage a FAT switch is added to increase overall gain. We have modified our input section to be able to accept a wide range of microphones. Recently we decided to lift our topmodel to an even higher level by redesigning the preamp to improve versatility and handling and adding our Anti Feedback Circuitry to the power-amp. The circuitry in the different stages of the amp is tuned to the specific frequency characteristics of harp with several classic microphone combinations. Later we redesigned our Harpmaster to be dedicated for harmonica or bluesharp amplification only. poweroutput: 60Watts (55W RMS at 2 Ohm)Īt first, the Harpmaster was based on the 1959 Fender Tweed Bassman circuitry with several modifications added.speakers: 6 Special Design Marble Bluetone C8H25.High & low inputs, FAT-switch, input-volume, input-tone, treble, middle, bass, master-volume & master-presence.It is tuned for true harp power and fat blues tone with no compromise. The Marble Harpmaster is our top of the line Harp amp. ![]() Marble Amps > amps > harp > harpmaster harpmaster Harpmaster ![]()
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